Ludwig van Beethoven (1770 – 1827)

Clarinet Trios B flat major op. 11 and E flat major op. 38

L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (0)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (1)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (2)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (3)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (4)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (5)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (6)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (7)L. v. Beethoven: Klarinettentrios B-dur, KlarVcKlav (Stsatz) (8)
paraClarinete [violino], violoncelo, piano
EdiçãoSet de partes
№ do artigo401322
Autor / CompositorLudwig van Beethoven
EditoraGünter Raphael, Friedhelm Klugmann
Âmbito114 Páginas; 23,5 × 31 cm
Ano de publicação2002
Editora / FabricanteHenle Verlag
N.º do fabricanteHN 342
ISMN9790201803425

Descrição

Beethoven composed his Clarinet Trios op. 11 and 38 in 1798 and 1802/03. The op. 11 was given the nickname “Gassenhauer Trio” because its third movement is a set of variations on a theme from Joseph Weigl’s opera L’amor marinaro (“Gassenhauer” means a “popular song”). Playing with many possibilities in these nine variations, Beethoven sometimes lets the piano appear alone, and sometimes has it rest. In places the mood is that of a sort of funeral march, and there are harmonic and rhythmic surprises throughout.

The op. 38 “Grand Trio”, the later of the two, was a reworking by Beethoven himself of his op. 20 Septet. He provided – as also in the case of op. 11 – an alternative violin part, in order to give the work broader distribution and thus greater popularity. The violin parts are likewise included with our Urtext edition, which – just as back then- makes it doubly valuable.

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