Franz Schubert (1797 – 1828)

Lieder 6 (High Voice)

Bärenreiter Urtext

F. Schubert: Lieder, Band 6, GesHKlav (Part) (0)F. Schubert: Lieder, Band 6, GesHKlav (Part) (1)F. Schubert: Lieder, Band 6, GesHKlav (Part) (2)F. Schubert: Lieder, Band 6, GesHKlav (Part) (3)F. Schubert: Lieder, Band 6, GesHKlav (Part) (4)F. Schubert: Lieder, Band 6, GesHKlav (Part) (5)F. Schubert: Lieder, Band 6, GesHKlav (Part) (6)F. Schubert: Lieder, Band 6, GesHKlav (Part) (7)
para:
Voz (aguda), piano
Edição:
Partitura (Urtext)
№ do artigo:
606520
Autor / Compositor:
Editora:
Idiomas:
alemão, inglês
Âmbito:
164 Páginas; 23 × 30 cm
Ano de publicação:
2012
Editora / Fabricante:
N.º do fabricante:
BA 9106
ISMN:
9790006530557

Descrição

  • Based on the Urtext of the “New Schubert Edition”
  • Newly engraved, clearly presented musical layout
  • Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger)
  • Includes English translations of lieder texts by Richard Wigmore

Continuing the new Urtext edition of Schubert’s lieder, editor Walther Dürr now presents volume 6, for high, medium and low voice. While volumes 1 to 4 of this series contain mostly lieder that Schubert had published during his lifetime, volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their Deutsch catalogue number.

The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With “Nachtgesang” (D 119) and “Trost in Tränen” (D120) Schubert turns to the “Strophenlied” in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe. Schubert, during this period an assistant teacher at his father’s school, orientated himself towards the so-called “Berliner Liederschule”, particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.

Conteúdo

  • Geleitwort / Prefatory Note
  • Vorwort
  • Preface
  • Liedtexte / Song Texts
  • Nachtgesang D 119
  • Trost in Tränen D 120
  • Ammenlied D 122
  • Sehnsucht D 123
  • Am See D 124
  • Szene aus "Faust" D 126
  • Don Gayseros D 93
  • Ballade op. 126 D 134
  • Klage um Ali Bey D 496 A
  • Der Mondabend op. post. 131,1 D 141
  • Genügsamkeit op. post. 109,2 D 143
  • Der Sänger op. post. 117 D 149
  • Lodas Gespenst D 150
  • Auf einen Kirchhof D 151
  • Minona D 152
  • Als ich sie erröten sah D 153
  • Das Bild op. post. 165,3 D 155
  • Die Erwartung op. post. 116 D 159
  • Sängers Morgenlied D 163
  • Sängers Morgenlied D 165
  • Amphiaraos D 166
  • Gebet während der Schlacht D 171
  • Das war ich D 174
  • Die Sterne D 176
  • Vergebliche Liebe op. post. 173,3 D 177
  • Liebesrausch D 179
  • Sehnsucht der Liebe D 180
  • Anhang I (Alternative Fassungen):
  • Szene aus "Faust" D 126
  • Der Sänger D 149
  • Die Erwartung D 159
  • Gebet während der Schlacht D 171
  • Anhang II:
  • Am See D 124
  • Register / Index
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